That was the year the New Native Theater movement launched in Santa Fe, New Mexico, and the exhibition features archival materials and documentation related to that movement.
Indian Theater: Native Performance, Art, and Self-Determination since 1969 Until 26 November at the the Hessel Museum of Art at Bard College, 33 Garden Road, Annandale-on-Hudson, New York This exhibition, the first large-scale show foregrounding the importance of performance and theatre in Indigenous art, takes 1969 as its origin point. Forge Project Collection, traditional lands of the Muh-he-con-ne-ok. Photo: Courtesy the Estate of James Luna.
James Luna, Make Amerika Red Again, 2018. The underworld is not divided by these borders.” This non-linear, de-colonised relationship with time courses throughout Cortez’s practice in November, her installation will travel by boat to Troy, New York for a show at the Experimental Media and Performing Arts Center titled Shifting Center. “Lava flows under the volcanic range that unites my two homes,” Cortez has said, “Los Angeles and San Salvador. Cortez frames the ash distribution from the eruption as a testament to Mayan spiritual and religious practices. The eruption, known as the Tierra Blanca Joven disaster, is considered one of the largest volcanic events in recorded history. The exhibition’s central thread relates to Ilopango, the Volcano that Left (2023), the artist’s “speculative reconstruction” of an ancient volcano that erupted 1,500 years ago in current-day El Salvador. The Volcano That Left, organised by Storm King associate curator Eric Booker and curatorial assistant Adela Goldsmith, takes on the simultaneous terror and freedom of contemporary futurity, grounding big questions about geologic ontology, history and the human condition in the language of improvisational steel construction. Beatriz Cortez: The Volcano That Left Until 13 November at Storm King Art Center, 1 Museum Road, New Windsor, New York This new outdoor installation features three recent large-scale sculptures by El Salvador-born, Los Angeles-based artist Beatriz Cortez, a multidisciplinary maker best known for her sculptural reflections on the immigrant experience.
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